POST-PRODUCTION
Introduction
post-production strategy
rough vs. fine cuts
offline & online
edit decision lists (EDLs)
list cleaning & management
Scopes and TBCs
setting playback levels
timebase correctors (TBCs)
waveform monitors
vectorscopes
improper levels
Analog Editing
analog & digital
linear & non-linear
assemble vs. insert
importance of control track
making a black burst tape
basic editing
sophisticated systems
Digital Editing
how it works
digitizing material
TV vs. computers
storage requirements
Compression
ASCII
analog to digital conversion
lossy vs. lossless
chroma subsampling
resolution
JPEG compression
fixed vs. variable frame size
interframe & intraframe
The Post-Production Suite
overview
switchers
decks